Omer Ben Seadia Interview: October 16th, 11:00am - 12:30pm CT
Topic: OMER BEN SEADIA - HGO INTERVIEW
Time: Oct 16, 2020 11:00 AM Central Time (US and Canada)
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Meeting ID: 886 1324 9818
Passcode: 497580
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Meeting ID: 886 1324 9818
Passcode: 497580
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Time: Oct 16, 2020 11:00 AM Central Time (US and Canada)
Join Zoom Meeting
https://us02web.zoom.us/j/88613249818?pwd=Qzd0dEJQYXBlVW54K21XdXdrZ3V1Zz09
Meeting ID: 886 1324 9818
Passcode: 497580
One tap mobile
+16699006833,,88613249818#,,,,,,0#,,497580# US (San Jose)
+12532158782,,88613249818#,,,,,,0#,,497580# US (Tacoma)
Dial by your location
+1 669 900 6833 US (San Jose)
+1 253 215 8782 US (Tacoma)
+1 346 248 7799 US (Houston)
+1 929 205 6099 US (New York)
+1 301 715 8592 US (Germantown)
+1 312 626 6799 US (Chicago)
Meeting ID: 886 1324 9818
Passcode: 497580
Find your local number: https://us02web.zoom.us/u/kcQhu15Obj
Omer Ben Seadia Interview Topics
1. Introduce yourself: Name, role in The Snowy Day opera
2. A bit more context about your own history with opera/your career path to this point (this is short and establishing)
3. Can you tell me about what it has been like working with Joel and Andrea, as artists, collaborators, and first time opera creators?
4. Tell me about the other members of the team creating The Snowy Day opera
Notes on this question:
- You’re giving me connective tissue to edit with here, as well as your own personal reflections.
- I’m looking for concise statements that 1) establish who each of these team members are, 2) what they do, and then 3) a bit more personal reflection about their unique talents and what they bring to the team.
- There’s room here to name Katrina since we’ll likely see her at rehearsals
- This is an opportunity to name the team each member of the team and communicate to the audience how many artistic professionals have their hands on a production like this.
Jessica Jahn / costumes / costume shop
Amy Rubin / sets / set or prop shop
Courtney Jones / choreography
Performers
Patrick Summers
Perryn Leech
Molly Dill
Jeremy Johnson
5. Who is this opera for? Why is BIPOC representation important on the opera stage, and in the rehearsal room?
6. What’s significant/important about creating new work in opera?
7. How has COVID impacted the production timeline and creative process?
2. A bit more context about your own history with opera/your career path to this point (this is short and establishing)
3. Can you tell me about what it has been like working with Joel and Andrea, as artists, collaborators, and first time opera creators?
4. Tell me about the other members of the team creating The Snowy Day opera
Notes on this question:
- You’re giving me connective tissue to edit with here, as well as your own personal reflections.
- I’m looking for concise statements that 1) establish who each of these team members are, 2) what they do, and then 3) a bit more personal reflection about their unique talents and what they bring to the team.
- There’s room here to name Katrina since we’ll likely see her at rehearsals
- This is an opportunity to name the team each member of the team and communicate to the audience how many artistic professionals have their hands on a production like this.
Jessica Jahn / costumes / costume shop
Amy Rubin / sets / set or prop shop
Courtney Jones / choreography
Performers
Patrick Summers
Perryn Leech
Molly Dill
Jeremy Johnson
5. Who is this opera for? Why is BIPOC representation important on the opera stage, and in the rehearsal room?
6. What’s significant/important about creating new work in opera?
7. How has COVID impacted the production timeline and creative process?