Jeremy Johnson Interview: Saturday Oct 10th, 1:30 - 3:00pm CT
Annalise Ophelian (she/her) is inviting you to a scheduled Zoom meeting.
Topic: Jeremy Johnson HGO TSD documentary interview
Time: Oct 10, 2020 01:30 PM Central Time (US and Canada)
Join Zoom Meeting
https://us02web.zoom.us/j/85107392814?pwd=dTMyY3ovYnRBMnlZLzJxaTNmc25sZz09
Meeting ID: 851 0739 2814
Passcode: 251949
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Meeting ID: 851 0739 2814
Passcode: 251949
Find your local number: https://us02web.zoom.us/u/keC7PBWFiv
Topic: Jeremy Johnson HGO TSD documentary interview
Time: Oct 10, 2020 01:30 PM Central Time (US and Canada)
Join Zoom Meeting
https://us02web.zoom.us/j/85107392814?pwd=dTMyY3ovYnRBMnlZLzJxaTNmc25sZz09
Meeting ID: 851 0739 2814
Passcode: 251949
One tap mobile
+16699006833,,85107392814#,,,,,,0#,,251949# US (San Jose)
+12532158782,,85107392814#,,,,,,0#,,251949# US (Tacoma)
Dial by your location
+1 669 900 6833 US (San Jose)
+1 253 215 8782 US (Tacoma)
+1 346 248 7799 US (Houston)
+1 301 715 8592 US (Germantown)
+1 312 626 6799 US (Chicago)
+1 929 205 6099 US (New York)
Meeting ID: 851 0739 2814
Passcode: 251949
Find your local number: https://us02web.zoom.us/u/keC7PBWFiv
Jeremy Johnson Interview Topics
PENDING REVIEW:
1. Establishing introduction – name, role in production, establishing details
2. What is the role of a dramaturg in opera?
3. What has the collaborative process been like with Joel and Andrea? (this is an incredibly broad question, but invites reflection on process, collaborative style, specific arias/scenes, etc)
4. I’m hearing from multiple members of the team that this is a very different type of opera production. What do you think this particular team brings to the medium that’s unique and special?
5. Can you talk about the importance of launching new work in opera, and what it means to bring in new talent?
1. Establishing introduction – name, role in production, establishing details
2. What is the role of a dramaturg in opera?
3. What has the collaborative process been like with Joel and Andrea? (this is an incredibly broad question, but invites reflection on process, collaborative style, specific arias/scenes, etc)
4. I’m hearing from multiple members of the team that this is a very different type of opera production. What do you think this particular team brings to the medium that’s unique and special?
5. Can you talk about the importance of launching new work in opera, and what it means to bring in new talent?